SPRING 26.
Spring 26 brings a fresh perspective.
Preppy references, reworked through a contemporary lens, where knits are a touch more fitted, and tailoring tips into slouch. There’s a tonal dialogue across the collection, with diluted retro hues moving in a colour gradient that shifts from muted to vivid, reflecting a relaxed approach to form.
The campaign was shot at The Buhrich House II, one of Australia’s most significant modernist homes. We use the home not as a backdrop, but as an active counterpart.
The architect’s emphasis on material integrity and longevity mirrors the collection’s focus on wear, texture and time. Throughout the house, materials have been allowed to age gracefully, as intended. Stone and timber surfaces carry a natural patina that echoes the collection’s washed finishes, while glass softens the boundary between indoors and out, filling the interiors with dappled light and a sense of connection to the landscape.
Doorways are used deliberately, reinforcing transitions not just between spaces, but through seasons. Imagery captures detail, with a film-quality grade that lends each frame a sense of memory, following a person in dialogue with a world shaped by beauty, quality and taste. Nostalgia here is not vintage: it is the feeling that these clothes already belong to the person wearing them.
It’s a wardrobe that feels familiar from the outset.